Showing posts with label Claude Monet. Show all posts
Showing posts with label Claude Monet. Show all posts

Sunday, May 01, 2011

Mailbox Mondays

A Civil ContractA Civil Contract, Georgette Heyer ~paperbackswap.com wish granted

"When his father, the Viscount Lynton, dies unexpectedly, Adam Deveril abandons soldiering to return to his ancestral home—only to find the estate plagued by debt and the abundant land wilted with neglect. He must either sell everything and leave his family impoverished…or find a wealthy bride.
Raised in privilege, Jenny Chawleigh is the only daughter of a doting, self-made financier who's determined to elevate his daughter's status in society. But to do that Jenny must marry into nobility…. And the new Viscount Lynton seems quite suitable.
But while society politely applauds the fortuitous marriage, Adam is still possessed by the thought of another woman—the one he couldn't marry…"


Lady of QualityLady of Quality, Georgette Heyer ~paperbackswap.com wish granted

"Miss Annis Wychwood, at twenty-nine, has long been on the shelf, but this bothers her not at all. She is rich and still beautiful and she enjoys living independently in Bath, except for the tiresome female cousin, who her very proper brother insists must live with her.

When Annis offers sanctuary to the very young runaway heiress Miss Lucilla Carleton, no one at all thinks this is a good idea. With the exception of Miss Carleton's overbearing guardian, Mr. Oliver Carleton, whose reputation as the rudest man in London precedes him. Outrageous as he is, the charming Annis ends up finding him absolutely irresistible".

English Children's Books 1600-1900, Percy Muir ~My Local Library Sale

"In this book, Percy Muir, a leading authority on English children's books, has written a scholarly and entertaining account of the works published for children during a period of three centuries. Mr. Muir passes over the books written solely to instruct or to improve and concentrates on those whose aim is entertainment. He discusses at some length, and with an endearing enthusiasm, the important children's writers and their books in the years preceding 1900. He provides lists- invaluable to the collector-of the most important children's books during each period, and he refers to the most useful works on the subject by earlier writers.

John Newbery is generally held to have originated children's books in 1740. Mr. Muir successfully challenges this assumption. He also satisfactorily fills in a number of gaps left by previous historians of the subject. The interesting and important publishing histories of the most famous children's books, here given for the first time, are especially valuable guides to this most ephemeral branch of the literature.

There are more than 100 illustrations: color plates, photographs and facsimile reproductions in "line". In themselves a most attractive collection, they will be of great value to the student of children's books. To the collector and librarian, the book will be a necessary work of reference; to the much wider public who loved children's books when young and who love them still it will be a delightful possession".

Claude Monet 1840-1926: A Feast for the Eyes, ~Karin Sagner-Duchting My Local Library Sale

"Claude Monet (1840-1926) was both the most typical and the most individual painter of Impressionism. His long life and extraordinary work capacity - coupled with a sometimes furious perfectionism - he dedicated to a pictorial exploration of the sensations which reality, in particular landscape, offer the human eye".



But while Monet the painter was faithful and persevering in the pursuit of his motifs, his personal life - characterized by frequent travels and changes of location - followed a more restless course. Parisian by birth, he discovered plein-air painting as a youth in the provinces and sought to defy his family's insistence upon an academic painter's training. For over half his life the artist was plagued by financial worries, which in part precipitated the frequent moves made by his expanding household.
Two of his homes stand out above the rest. The first, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement, with Monet as its creative leader.

But it was also Monet who, in his endeavor to capture the ever-changing face of reality, went beyond Impressionism and thereby beyond the confines of the self-contained panel painting. This step he took in the village of Giverny: here he painted the Poplars, Grain Stacks and Rouen Cathedral series in which he addressed one motif in constantly new variations. Here, too, Monet laid out the famous garden with its water lily pond which he was to paint on huge canvases well into the 1920s. He thereby sought to render not reality as objectively experienced, but rather that which takes place "between the motif and the artist". In their open, no longer more than tenuously representational structure and impressive scale, his water lily paintings - created long before the currents of contemporary avant-garde - point the way forward to the developments of the future".

The Huntington: Library, Art Gallery, Botanical Gardens, ~Elizabeth Pomeroy My Local Library Sale

"The life of an institution may be greater than the sum of its parts. At the Huntington, a pre-eminent library, a distinguished art collection, and a bounty of gardens make a combination unmatched anywhere".

For more on this institution 'The Huntington" in San Marino, CA
~Lizzy~

Tuesday, April 05, 2011

In Stores Now Claude and Camille by Stephanie Cowell and Winners

"When art student Claude Monet glimpses a fetching girl at the train station en route to Paris, it is, as they say, love at first sight. When he tracks Camille Doncieux down months later and convinces her to become his model, it is an embarrassment of riches. The two become lovers, but because starving artists have always been deemed poor husband material, Camille’s family mightily objects to the affair, just as Monet’s father vehemently opposes his son’s career. The couple finds solace in the company of Monet’s fellow aspiring painters: Renoir, Pissaro, and Bazille chief among them. While commercial and critical success elude him, Monet’s love for Camille eventually succumbs to the forces of physical and financial ruin. The connection between artist and muse potentially offers a rich trove for authors, and Cowell mines the tempestuous relationship of Monet and his romantic and artistic inspiration with a nimble and discerning command as she indelibly evokes the lush demimonde of nineteenth-century Paris".

The winners of the "Claude and Camille" giveaway are:

Cindi Hoppes, Terra Baker, sharon blajev, Kendall, Nancy

In stores today and if you did not manage to snag yourself a copy in the giveaway today is the day it is finally released in book stores everywhere. For more on this incredible book check out my review, Stephanie's guest post on Monet, and my best reads of 2011.

Amazon
Claude & Camille: A Novel of MonetClaude & CamilleMarrying Mozart
footer sig

Monday, March 28, 2011

Author Q & A with Stephanie Cowell on "Claude and Camille" and Bonus Giveaway!

Please give a warm welcome to author Stephanie Cowell! Author interviews are not my typical deal but since I am still madly in love with "Claude & Camille" I figured it was time to step out of the box and do something really special to celebrate the up coming paperback release of "Claude & Camille: A Novel of Monet". You can check out my review, Stephanie's guest post on Monet, and my best reads of 2010 post for more on  "Claude and Camille". With out further delay lets kick off the interview!

  Q: I loved “Claude and Camille and named it my most beloved novel of 2010. My question is since you helped me envision the real person behind the inspirational water lilies paintings: what is it that inspired you to so passionately convey Claude and Camille’s tragic love?

A: Thank you so much for your kind words about the novel! You know we know very little about the real Camille; she died at 32 which is in itself horribly sad and some people believe it was Monet’s second wife Alice who destroyed all her papers. So we have a few facts about her here and there. My agent pointed out to me that Claude Monet painted more portraits of Camille than he ever painted of anyone in his life. I have been in the arts all my life as have most of my closest friends and money is seldom reliable in the arts. So we had Camille who was nineteen and full of illusions of the glory of living for art alone and Claude Monet who was very sexy at twenty-five (he looked like a young Johnny Depp) and he thought that any day, any week he would make his fortune with his work. In reality they sometimes had no food money and were thrown out of their rooms because they could not pay their rent and had to pawn their things. When she died, he was still so poor he had to try to get her necklace out of pawn so she could be buried in it. So they had this passionate love against a very difficult reality and when she became so sick, he was working too hard to provide food to know how to get the best care for her. I think that haunted him all his life.

Q: “Claude and Camille” really brings to light the phrase “poor starving artist”, how proud are you that you can say your award winning novel contributes to part of the impressionism legacy Claude left behind?

A: I am very proud to have been able to bring Claude Monet to life as a young man as well as the other young painters who one day would band together for their first exhibition (which they paid for) and be called Impressionists by a sneering critic who thought their work was pretty awful. “A bad sketch for wallpaper is better,” he wrote. The sort of work Claude and his friends were doing was very shocking to most people; it wasn’t art.

Q:  Since “Claude and Camille” is now being sold at Monet’s home of the water lilies Giverny. I am curious to see if you have had the chance to visit there? If so where was your favorite Monet spot?

A: Oh yes, I did visit there but a few years ago, during the research period for the novel. I loved standing on the Japanese bridge the most. It was April and the water lilies had nor bloomed yet. It was an intensely spiritual experience for me. I felt Monet everywhere. And then after I was walking down the path outside the house and saw a church with steps rising to it and I had to climb them! And I did not know he was buried there. I found his family tomb with his name on it and I took a tiny sprig of some plant growing near the grave and brought it back to my husband who could not travel with me. There was a crowd in the Giverny gift shop but the graveyard was quite deserted.

Q: Monet has been inspiring the masses for some time now and I must ask which work of his is your favorite and why?

A: May I name two? My favorite is oddly from the period of the novel, a painting of the village of Vétheuil seen from across the icy river in winter. It’s in the Musée d'Orsay in Paris. It’s profoundly lonely. I wrote it into the novel as the thing he paints before he understands for the first time that Camille is very ill. He was painting and painting then and dragging his work into Paris to try to sell some of it. The second favorite is of the Japanese bridge over the lily pond. He painted it a lot. There are beautiful ones in Princeton and the Metropolitan Museum of New York.

Q: I have noticed a trend in your novels that they feature creative power houses like Mozart and Monet. Your unquestionable gift for prose is clear but do you hide any other creative muses in your life?

A: Oh goodness, well I was a classical singer for years. I sang a lot of the Mozart roles in very small opera houses. I miss singing with others very much, but you have to practice a lot and I haven’t in ages. And I love theater. I belong to a Shakespeare reading group and always hope I don’t get cast as the villain as I am bad at villains. No other gifts at all! My parents were painters and I think I was too intimidated to try.

Q: “Claude and Camille” has won a few awards would you care to enlighten us on its success with readers?

A: Unless I am forgetting something, I can say in all modesty that the only “award” it had was for one of the best novels of the year from January magazine. Maybe you are seeing its happy future! I won an American Book Award for a previous novel about an Anglican priest and physician in London circa 1640 called The Physician of London, which was the second book of a trilogy which I have yet to complete. But I have had just the most amazing e-mails from people about how much they loved Claude and Camille. I had a fair number from men too and of course it has had some marvelous reviews, including yours!

Q: Are you currently working on another project?

A: I am working on two projects at the time. One is about the poet Elizabeth Barrett Browning and her incredible love story with Robert Browning who snatched her away from her London home when she was an invalid of forty and took her to live a romantic live in Italy. And the second is a love story set in an English abbey during the period when Henry VIII was closing all the abbeys; it’s from the point of view of the abbot’s goddaughter who grows up as a bookbinder amid the monks. I am not sure which one will be finished first.

For more on Stephanie Cowell and her lovely novels, you can check out the below links:
Her Website and be sure to check out the dates and locations of her live upcoming events!
Her Blog: EVERYDAY LIVES OF THE FRENCH IMPRESSIONISTS
Facebook & Twitter

Amazon 
Claude & Camille: A Novel of MonetClaude & CamilleMarrying Mozart



 
The Giveaway Rules
You must fill out the form below to have your entry included in the drawing
The giveaway ends April 4th at midnight
Up for grabs is 5 COPIES YES FIVE. They are brand new paperback copies.
Giveaway is only open to US residents, Sorry.



footer sig

Tuesday, April 13, 2010

Book Review: CLAUDE AND CAMILLE by Stephanie Cowell

What an interesting read, Claude being none other than the famous Claude Monet. Since I love art I can really get into this one and feel it. After all maybe it was a strong woman I needed to bring me out of my William Marshall funk. 

This read made me realize that I knew only half of Claude Monet. The half I knew was the half that belonged to the water lilies. This read was about an extraordinary life, and a even more remarkable man, and a deep complex love that defied the odds. Love between Claude and Camille was powerful, they became a love story similar to Romeo and Juliet, magnetic and lovely all at once. Camille was the good girl from the to do family that fell in love with the poor artist who paid her to model for him. Leaving it all behind it was only Claude’s love that mattered.

Camille I never knew even existed and now that I have read Clause and Camille I could never forget her. Tragedy after tragedy, never really standing on solid footing was the life of an artist and that included his wife. The phrase “poor starving artist” was brought to dramatic light because they came very close a few times. A passion and a dream was sometimes all they had but it did not matter because they had each other.

5/5 Highly recommended, I really enjoyed this read it was powerful and moving. Lately I have not had the time to research my reads; I was compelled to do so this time. It was thrilling to see the painting after finishing the read. Lets just say it gave me goose bumps. I feel like I really know Claude now and I will never see his peaceful water lilies in the same light again. It is unique how compelling this read was. Painful as it was to read Claude and Camille’s struggle on the road to fame, a dream is always worth it and true talent always speaks for itself.  

Thank you to Stephanie Cowell for sending me this wonderful book, I really did love it.


April 12 – Author Guest Post at All Things Royal, Arleigh’s Creative Post at Historical-Fiction.com
footer sig

Sunday, April 11, 2010

Searching Paris and Giverny for Claude Monet by Stephanie Cowell Giveaway! Claude and Camille

In honor of the Historical Fiction Bloggers Round Table Event, please welcome guest author Stephanie Cowell of the hot new release Claude and Camille.
Japanese bridge
Searching Paris and Giverny for Claude Monet

I went to Paris and Giverny in 2006 with a friend in search of Claude Monet. I wanted to write a novel about him and to walk where he had walked, which is one of the best things a novelist can do.

The first place I went to was the rue de Furstenberg where a small museum is dedicated to the artist Delacroix, one of the greatest painters a generation or two before Claude. Claude and his best friend Frédéric rented a studio in one of the surrounding buildings in 1865, but when I asked the museum attendant if he knew exactly where, he shook his head. Je ne sais pas, madame! I think he really shook his head at my appalling French!

Claude lived and worked where he could in the city and often left quickly because he could not pay his rent. He lived in the Batignolles district and Pigalle, both on the right bank. He took the train from Gare St. Lazare when he went home to Le Havre to ask his father for more money. He took it also to Argenteuil where he lived for a while later. I did not see that house, long part of the Paris suburbs. I did see one of his letters for sale on the rue Napoleon, likely now worth as much as he made in his early years as an artist. And at the Musée Marmottan, I saw the small original of his portrait by a fellow student when Claude was 25; he looks like a gypsy.

Claude at 25

Then of course my friend and I took the train to Giverny which he first rented at the age of forty-three but could not afford to buy until he was fifty. Then he began his upper gardens, conscripting his often unwilling kids and step kids to help him.

You take the train from Paris and then a bus and then you walk down a country road past a church where the artist and his family are buried. As the back of the house faces the road, we did not even notice it but continued on and had to turn back. It was mid-April and we walked at first through the house, which is not large, and then out into the gardens which were in wonderful bloom. I was amazed by the size of them. Far more was to come when we walked down to the water gardens. The lilies were not in bloom yet but it was a soft, lovely day. I kept expecting to see the old artist come out and inquire who all these people were.

I wondered which of the eager young artists painting in the streets of Paris or selling their work from little open shacks in Giverny would be the next Claude Monet. There was unfortunately no time to discover them. We bought calvados from a roadside stand and returned to Paris, with me scribbling notes for the novel on a pad in my illegible handwriting, much inspired.

Thank you Stephanie and .... 

Now the giveaway! Rules
Giveaway ends 4.18.2010 at midnight. 
    * For 1 entry leave me a comment with a way to contact you.
    * For 2 entries follow my blog. If you already do, thanks, and please let me know in the comments. You're eligible for the extra entry as well.
    * For 3 entries blog or tweet this giveaway to spread the word.

Sorry Us and Canada Only


Good Luck all and be sure and check out the HFBRT site for other cool Claude and Camille posts and giveaways on member sites.  


April 11 Lucy’s Book Review at Enchanted By Josephine, Author Guest Post at Historically Obsessed, “Frederic Bazille – Medical Student by Day, Impressionist Painter by Night” at The Maiden’s Court.
footer sig